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1. El Tapao - Carmen Marulanda

El Tapao - Carmen Marulanda

Merengue Venezolano "El Tapao" by Carmen Marulanda - recorded by Winner ensemble of the Gran Mono Nuñez prize 2003 in Colombia, "Camaradería ensemble" Flute, clarinet, viola, cello and tiple/cuatro All the arrangements for Camaradería pose the challenge of varied instrumental colors and genres. We chose a repertory of different rhythms and eras of traditional Colombian music, exploring combinations and learning each other's instrumental possibilities. Available to download at: www.liliflute.com/mp3-tracks

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2. Cucurucho-Carmen Marulanda

Cucurucho-Carmen Marulanda

Torbellino "Cucurucho" by Carmen Marulanda - recorded by Winner ensemble of the Gran Mono Nuñez prize 2003 in Colombia, "Camaradería ensemble" Flute, clarinet, viola, cello and tiple/cuatro All the arrangements for Camaradería pose the challenge of varied instrumental colors and genres. We chose a repertory of different rhythms and eras of traditional Colombian music, exploring combinations and learning each other's instrumental possibilities. Available to download at: www.liliflute.com/mp3-tracks

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3. Adios a Bogota

Adios a Bogota

www.liliflute.com - Banda Sinfónica Juvenil de Cundinamarca  
 
Winners of the Best Professional Band Award, under the direction of Maestro Florentino Camacho - XXV National Band Festival at Paipa Boyacá - 1999 Adios a Bogota - Danza by Luis A. Calvo El Cumbanchero - Samba by Rafaél Hernández https://squareup.com/market/liliflute

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4. 10-Calypso-play-along demo

10-Calypso-play-along demo

In this track, you will perform Fa Maj. scale with syncopation, thanks to the Calypso play-along accompaniment. Enjoy! All our music available at: www.liliflute.com Mp3 music tracks available at: https://www.liliflute.com/mp3-tracks

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5. Spider dance - C Fl Trio - Demo

Spider dance - C Fl Trio - Demo

The Torbellino style, from the Andean mountains of Colombia, usually performed by our traditional Guitar, tiple and bandola, now presented for flute format, with many arpeggios, counterpoint, contramelodies and a lot of fun! Available at: www.liliflute.com (paypal) www.squareup.com/store/liliflute (USA)

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6. El Reto II - Demo

El Reto II - Demo

Music by Paul Desenne, based on "Florentino y el Diablo", poem by Alberto Arvelo Torrealba. Camerata Criolla de Caracas and Ensamble Gurrufío Director: Manuel Hernandez Silva

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7. 4- Periquera - demo

4- Periquera - demo

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8. Triptico for Flute & Guitar 3- Kumbiologia demo

Triptico for Flute & Guitar 3- Kumbiologia demo

The music of Paul Desenne (Caracas 1959), performed worldwide, expresses the complex musical environments of a broad region encompassing the Caribbean, the Andes and the Orinoco-Amazon basin in a very personal way. By allowing the original, colorful voices of local cultures mix and blend in concert forms ranging from symphonies to chamber works, through various conceptual approaches, he is revealing and celebrating the multi-layered Latin American cultural horizons. Score and parts available at: www.liliflute.com

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9. Triptico for Flute & Guitar 1-Bossanovals demo

Triptico for Flute & Guitar 1-Bossanovals demo

The music of Paul Desenne (Caracas 1959), performed worldwide, expresses the complex musical environments of a broad region encompassing the Caribbean, the Andes and the Orinoco-Amazon basin in a very personal way. By allowing the original, colorful voices of local cultures mix and blend in concert forms ranging from symphonies to chamber works, through various conceptual approaches, he is revealing and celebrating the multi-layered Latin American cultural horizons. Score and parts available at: www.liliflute.com

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10. Pizziguasa Galeonica - Demo

Pizziguasa Galeonica -  Demo

"Pizziguasa Galeónica" was composed in 1989-90, exploring the structural possibilities of traditional Venezuelan rhythms in concert forms. Their minimalistic textures are not local spinoffs of the American school, but real iterations of Venezuelan genres transposed to the medium of Western chamber music, developed using the tools of formal poetics and harmonic drift that written music allows, as opposed to their basic ethnic versions. This piece use the cello only in pizzicato, creating a new composite sound as it blends in with the harp, so perhaps we can see it as a duo for the flute, and a larger meta- instrument formed by the harp and the plucked cello. Harp and cello thus form a tight rhythmic and harmonic pair, an interwoven basket of sound upon which the flute develops lines and interlocking motifs, in two different Venezuelan time-signatures: the 5/8 "guasa" and the 3/4-6/8 "golpe de quitiplás" (an Afro-Venezuelan genre played on bamboo percussion). Pizziguasa, in 5/8 is dreamy and smooth, with occasional geometric riffs punctuating thematic material, between stretches of textural landscapes and buildups. https://squareup.com/store/liliflute

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11. Gabriela FL-Choir demo

Gabriela FL-Choir demo

Vals pasaje is another form of the "Joropo" family, played in the vast plains of the Orinoco basin which spans Colombia and Venezuela. It has a sentimental and romantic feeling in a time signature similar to a waltz, in 3/4. This piece was dedicated to my Grand mother. Audio demo from Finale. Original version available to download at: https://www.liliflute.com/mp3-tracks

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12. Guasa Del Borrachito - Paul Desenne

Guasa Del Borrachito - Paul Desenne

1. QUINTETO DEL PAJARO (1981-83) ca. 17' For flute, oboe/English horn, violin, cello and cuatro (Venezuelan guitar) in four movements: Seis por derecho Guasa del borrachito Alba / vals Periquera Nicolás Real, flute / Andrés Eloy Medina, oboe and English horn / David Moreira, violin / Paul Desenne, cello / Aquiles Báez, cuatro (Recorded in 1990) www.pauldesenne.com https://squareup.com/market/liliflute

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13. Clarinet Sonata Demo (3 mov)

Clarinet Sonata Demo (3 mov)

The Clarinet Sonata was composed in 1997 for Venezuelan clarinetist Eloy Salgado. The first movement was originally written for clarinet in A, the second in Bb and the third for bass clarinet in Bb. Here in this edition all three are scored for the regular Bb clarinet. The third movement, nevertheless, can be played with the bass clarinet in Bb, the original low E flats in the score are indicated, and a short segment at the end of the movement is to be played an octave lower. These, relatively few, octave transpositions in the third movement are all included in the clarinet part. Tácata is a small town in the central valleys of Northern Venezuela, the land of Tuyero music, which is an extremely lively, rhythmic genre, played with harp and maracas to accompany singers and dancers. The first movement “Tácata Tocata” celebrates the syncopated and exalted spirit of this music, but is by no means a transcription. “Borges” pays homage to the Argentine writer of essays and fiction, and to the enigmas that seem to float in the atmospheres of Buenos Aires. The style of this movement is related to tango and candombe. Aracataca is the birthplace of Colombian author Gabriel García Márquez. The music of his native culture, the cumbia, is celebrated here; a laid back, syncopated form of remarkable intensity. The sonata is to be played throughout with a heightened sense of rhythmic precision, exact tempi and relentless energy. Paul Desenne's sheet music available at: www.liliflute.com Soon all Paul Desenne's music will be available to download.

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14. 3-Alba Vals - Demo

3-Alba Vals - Demo

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15. Triptico for Flute & Guitar 2- Recuerdos de Venosa-demo

Triptico for Flute & Guitar 2- Recuerdos de Venosa-demo

The music of Paul Desenne (Caracas 1959), performed worldwide, expresses the complex musical environments of a broad region encompassing the Caribbean, the Andes and the Orinoco-Amazon basin in a very personal way. By allowing the original, colorful voices of local cultures mix and blend in concert forms ranging from symphonies to chamber works, through various conceptual approaches, he is revealing and celebrating the multi-layered Latin American cultural horizons. Score and parts available at: www.liliflute.com

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16. Calypso - Syncopation in F Maj.

Calypso - Syncopation in F Maj.

Traversuras for Flute and Piano is a Book designed for Beginner Flutists to warm up the flute and enjoy the practice from the very first note you play. This is the best learning tool: playing with colorful, lively piano and percussion accompaniments; great motivations to develop sound and phrasing in a real performance environment. A very good tool for students and teachers. www.liliflute.com squareup.com/store/liliflute (USA)

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17. Fl Choir Bolero Rhumba

Fl Choir Bolero Rhumba

The Bolero Rhumba is a variation of the Rhumba (one of many Afro-Cuban dances in four beats). Its tempo is slow and has some rhythmic variations in the percussion. Its original instrumentation includes clave, maracas, cowbell, guiro, bongo, conga, timbal and drum set. This piece mixes the syncopation and style of the Bolero Rhumba with challenging ear catching chromatic scales. (finale sounds) www.liliflute.com (paypal) https://squareup.com/store/liliflute (USA)

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