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2. Feed on Me

Feed on Me

Recorded at San Pedro Recording Studios by Davide Perucchini and Gabriele Ferreri during November 2009, Mixed and Mastered at Lysergic Mixroom by Davide Perucchini in January 2010. All music written and performed by hYPNOTIC hYSTERIA.

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3. Feed on Me

Feed on Me

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4. Feed on Me

Feed on Me

Lyrics: Infiltrate, penetrate, debilitate Sterilize, immobilize, terminate Infestation of the host 'Til its time to give up the ghost Feed on me, just feed on me Try to drain my inner strength empty A parasitoid is all you'll ever be Can't get it done on your own So feed on me No No regrets for the lives You've destroyed No All are gone No-one will come to fill the void Feed on me, just feed on me Try to drain my inner strength empty A parasitoid is all you'll ever be Can't get it done on your own So feed on me Feed on me, just feed on me Try to drain my inner strength empty A parasitoid is all you'll ever be Can't get it done on your own You bloodsucker Feed on me, just feed on me Try to drain my inner strength empty A parasitoid is all you'll ever be Can't get it done on your own So feed on me Official video: https://www.youtube.com/watch?v=jqTLZbQGQEI http://nadir-official.com https://nadirhun.bandcamp.com http://www.facebook.com/Nadirhungary

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5. Feed On me

Feed On me

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6. Feed On Me

  • Published: 2012-11-15T22:28:33Z
  • By Black Fin
Feed On Me

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7. Feed On Me

  • Published: 2016-03-20T04:23:06Z
  • By Veljanov
Feed On Me

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8. Feed on me

Feed on me

Written when I was 16-17, quite a while ago now! Recorded and published on my tape Blue Bone in 1993.

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9. Feed On Me

Feed On Me

First single off the new album out August 11th on Sugar Gator Records www.thejcex.com

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10. Feed On Me

Feed On Me

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11. Feed On Me

Feed On Me

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12. Feed On Me

Feed On Me

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13. FEED METAL DIRT

FEED METAL DIRT

FEED METAL DIRT (2007) Note de programme Le titre Feed Metal Dirt a été choisi par affiliation et identification avec les matériaux principaux qui ont été utilisés, soit les Larsens de guitare, les métaux ainsi que divers artefacts sonores me rappelant la poussière. Pourquoi le titre en anglais, simplement parce que sa prononciation rapide me rappelait une articulation particulière dans la pièce. Cette composition est nourrie par un coup de cœur pour un lieu particulier : une vaste salle de concert en chantier de construction. Lorsque que j’ai découvert, par hasard, cette immense pièce, l'image que j'avais devant moi représentait exactement l'esprit que je voulais insuffler à ma musique. L'éclairage chaud des projecteurs industriels sur les murs de béton donnait à l'endroit une ambiance particulièrement inspirante et empreinte d’une poésie particulière. Les sons étaient émis par de gros tubes métalliques de différentes grandeurs, des transporteurs à gravier, des objets de construction et tout un amoncellement de boîtes de carton et de déchets multiformes jonchant le sol. Ainsi cet amalgame sonore résonnait dans un espace asymétrique d'où la résonance impressionnante. Pour moi, cet endroit semblait incarner quelque chose de sacré, telle une cathédrale. Muni d'un micro, la chasse aux sons a débutée et la notion de temps s'est volatilisée pendant un long moment. J’étais profondément interpellé par ce décor et son environnement. La composition est donc constituée de sons directement extraits de cette séance d'enregistrement. La structure de la pièce se joue sur deux plans: celui de la mécanique des sons dans un espace clos et celui de la répercussion de mes objets captés dans cet espace vaste et réverbéré. FEED METAL DIRT Esthetically, I take my inspiration from the lute-making of german industrial music from the 1970’s. This piece is also nourished by a spontaneous coup de cœur that I had for a particular space : the construction site of a vast concert room to be. When I accidently discovered this hugmongous space, the image before me struck my eyes, it represented exacly the spirit that I want to insufflate my music of. The warmth of the lighting on the concrete walls created by the industrial projectors gave the place such a particular cinematic ambiance. In this artistically rich environment, the sounds where being born out of the gravel, out of huge metal pipes of different sizes, of various construction tools and cartboard boxes, and all sorts of multiform objects laying around. This amalgamation of sounds was babbling and growing inside the belly of this enormous space with such an intimidating resonance. This place seemed to embody something sacred for me, something like a cathedrale. Thankfully I had a microphone on me and was prepared. As the hunt for sounds begun, time stood still, finally I was alone, abandonned in my natural environment. Therefore, the piece is constituated of sounds directly extracted from the original recording. Also I wanted to work with matters of natural parasitic such as “feedbacks” and noises often considered as sonorous pollution. The structure plays on two plains : the mechanic of the parasitic sounds in their very reduced space and the repercussions of the industrial objects caught in their urban cathedrale. Foremost, this piece is a ground-test of the development of an instinctive and rythmical language.

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16. 07. FEED ON ME

  • Published: 2012-04-19T21:53:54Z
  • By leonAMP
07. FEED ON ME

Lively Modern Hard Rock with a message Suitable for Action, Action Adventure Scenes,Suspense Thrillers,Dramas,Horror/Sci-Fi Sports, Life Styles. Video Games, Corporate ( Adverts/News)

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17. Feed on Me, WIP

Feed on Me, WIP

Just the chorus Dear Chrysalis, why are we cold and thin Why is it we're the last of our kin Where is the food coming from tonight How did it become so wrong, it felt so right. Feels like it's missing something but I dont know

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18. Animals(Feed On Me)

  • Published: 2017-08-04T20:07:36Z
  • By untitled
Animals(Feed On Me)

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