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1. At Le Mans 2017 | Weapix prod. cut

2. Earl Sweatshirt - Grief

  • Published: 2015-03-23T21:56:24+00:00
  • Duration: 265
  • By Hiro Murai
Earl Sweatshirt - Grief

dir Hiro Murai prod Courtney Davies dp Larkin Seiple prod design Morgan Gillo stylist Elise Velasco gaffer Matt Ardine 1st ad Matt Sanderson 2nd ad Jon Dec thermal tech Joel Wells steadi Ari Robbins edit Luke Lynch additional edit Isaac Hagy vfx Gloria FX color Ricky Gausis @ MPC commissioner Bryan Younce exec prod Danielle Hinde & Doomsday Ent Earl Sweatshirt "Grief" Director's Cut



director's cut prod : czar dir : raf wathion dop : patrick otten

4. The Tale of Thomas Burberry

  • Published: 2016-11-03T20:02:11+00:00
  • Duration: 216
  • By Johnny Rayner
The Tale of Thomas Burberry

Dir. Asif Kapadia // Prod co. Black Label // cut at Intermission Film

5. WWF - 40" TV Commercial

WWF - 40

Director - Samuel Abrahams Producer - Nick Fewtrell DOP - Sam Care Editor - Chris McKay (Cut + Run) Prod Design - Louise Corcoran Agency - Ogilvy 2011

6. Hercules & Love Affair feat. John Grant - I Try To Talk to You

  • Published: 2014-04-28T20:14:04+00:00
  • Duration: 174
  • By David Wilson
Hercules & Love Affair feat. John Grant - I Try To Talk to You

Director - David Wilson Production Company - Colonel Blimp Head of Music Video: Nathan James Tettey Executive Producer - Paul Weston Producer - Posy Dixon Local Prod Company - The Directors Bureau Producer - Allan Wachs DP - Larkin Sieple Choreogrpaher - Ryan Heffington Dancers - Danny Dolan and Logan Schyvynck Steadicam - Ari Robins Art Director - Ethan Feldbau Editor - Patrick Colman af Final Cut Post Production - Zak Stoltz and Ari Fararooy


  • Published: 2014-02-16T16:22:46+00:00
  • Duration: 113
  • By Sixteen Pads

This video has an amazing back story. In the summer of 2011, Tus , Simahlak and myself packed up my Subaru and Tus's Honda and drove for like 40 minutes north to this abandoned location which Tus had had found and scouted days before. We arrived there, barely made it in since the terrain was pretty steep, set up and started shooting. All kinda was going according to plan, however I was getting a feeling of not pushing the guys enough to give me what I needed to give justice to the song and the before-mentioned video. I was not feeling it basically. We did maybe 2 or 3 shots and I get a phone call from home.. Some little drama was unfolding with our house renovation which was happening at the time , so basically it required of me to go back to the city and deal with it. Tus, Sim and myself included were totally not feeling this change of plans, but it just could not wait. They decided to stay on location and wait for my return. Mind you , this is Montreal summer, + 35 in the sun, nasty humid day. It took me something around 4 to 5 hours to return back to the location. When I arrive I see Tus and Sim all tanned up, thirsty, semi pissed and exhausted. I brought water and candy ‘cause I had a feeling it might cheer them up. Tus pretty much grew a beard, Sim was burning red and they both looked like they just had walked through the Sahara desert. We started shooting again… I instantly saw the determination and aggressiveness we were missing in the morning. It is as if I left from polite boys and returned to savage men :) Their body language changed, and the whole thing just became real.. Tus became the performer, Sim was the fucking producer. It was HAPPENING! While on set that afternoon they really did not realize what was the emotion they were conveying. Not until they saw the edit. The music, the spits and the visuals just made sense and had a purpose. In my experience 1 or 2 out of the 3 usually do not.

8. Walker TVC Spring/Summer 2016 (prod cut)

  • Published: 2016-03-05T05:30:26+00:00
  • Duration: 30
  • By Eugene Kirey
Walker TVC Spring/Summer 2016 (prod cut)

Walker Spring/Summer 2016 Director: Taras Golubkov DoP: Eugene Kirey Producer: Yurii Rusnak Client: Walker Production: ICONA Post Production: ICONA

9. Temper Trap, "Love Lost" (Dougal Wilson)

  • Published: 2010-04-24T19:19:06+00:00
  • Duration: 249
  • By Carlos Pedrosa
Temper Trap,

Director: Dougal Wilson Prod co: Colonel Blimp Producer: Matt Fone DoP: Lasse Frank Johannessen Art director: Arthur De Borman Wardrobe: Michelle May Hair and make up: Bean Ellis Location: Walthamstow Marshes Choreographer: Rachel Yates Editor: Joe Guest at Final Cut Online and TK: MPC Commissioner: Richard Skinner

10. PRZEMIANY FESTIVAL "Pixels" commercial

  • Published: 2014-08-11T22:41:14+00:00
  • Duration: 35

Dir. Foryś vs Załuska Dop Filip Załuska Prod. Manager Anna Kiełsznia Art Director Aleksandra Muszyńska Music Wojciech Urbański Prod. Papaya Films director's cut


  • Published: 2013-10-15T09:48:54+00:00
  • Duration: 201
  • By NEMA Prod

Directed/Shot by Thibaut Buccellato Edit by Thomas Correia Graded by Julien Bru Music : Andrew Bayer - A Brief Interlude • • • • • • • • • • • • • • • • • • • Shot on 5D Mk3 Cut on Final Cut Pro Graded on Da Vinci • • • • • • • • • • • • • • • • • • • ©NEMA Prod - 2013 -

12. Nolita - Finca las Moras Wine

  • Published: 2016-02-21T05:48:01+00:00
  • Duration: 67
  • By Carlos Ritter
Nolita - Finca las Moras Wine

Dir. Nico Perez Veiga - Prod. Co. Primo BA. (Alter. cut). Shot in S35mm Eterna 500T & 250T - Master Prime Lenses - Colorist Jorge Russo.

13. AutoStore - Brand Film (:60)

  • Published: 2018-04-09T01:30:11+00:00
  • Duration: 63
  • By Worship
AutoStore - Brand Film (:60)

AutoStore - Brand Film (:60 – Director's cut) Director: Chris Bahry, Nicolas Girard, Rafael Ruiz DOP: Jeremy Benning Prod Co.: Tendril Music: CypherAudio

14. Cadbury - Passport Control

  • Published: 2014-03-10T16:25:37+00:00
  • Duration: 60
  • By David Wilson
Cadbury - Passport Control

Director: David Wilson Producer: Ben Sullivan Exec Producer: Paul Weston Prod Co: Colonel Blimp DoP: Simon Chaudoir Passport Control Officer: Alan Devally Agency: Fallon Exec Creative Director: Santiago Lucero Creatives: Manu Diaz & Gonza Delgado Agency Producer: Sarah Browell Prod Designer: Andy Kelly Wardrobe: Michelle May Choreographer: Alex Reynolds Casting: Anna Kennedy Editor: James Rose @ Final Cut Telecine: James Bamford @ The Mill Post Production: The Electric Theatre Collective

15. The Maccabees - Pelican

  • Published: 2011-12-15T13:41:56+00:00
  • Duration: 229
  • By David Wilson
The Maccabees - Pelican

Music by The Maccabees Director: David Wilson Producer: Tamsin Glasson Prod co: Colonel Blimp Director of Photography: Tim Green 1st Assistant Director: James Dyer Gaffer: Steve Finberg Focus puller: Matt Wesson DIT: Jay Patel & Ben Worthington Motion control: The VFX company Art Direction: Andy Kelly, Clem Miller, Ashley Dando, Shaun Fenn, Sarah Ascroft, Fiona Russel, Arthur deBorman, Max Halstead Breasts: Die Mortal Make Up: Lynda Darrah Boys: Billie, Hank, Noah and Dylan Editor: James Rose at Cut and Run Edit Assistant: Sam Ostrove at Cut and Run Edit House Producer: Kirsty Oldfield at Cut and Run Post Production: Andy Godwin at Hogarth Worldwide Post Production Producer: Lauren Jones at Hogarth Worldwide Stars by Jesse Kanda Telecine: James Bamford at The Mill London Telecine Producer: Cath Short at The Mill London Commissioner: Emily Tedrake Record Label: Polydor Records Massive thanks to Clapham Road Studios, VFX and Julliette Larthe Watch the Making Of here..



FORD FOCUS // director's cut 5 days of high speed with the Phantom Flex and lightpainting with the Milo Motion control Prod :: Rokkit Service Prod BE :: Czar Belgium Agency :: Ogilvy Dir :: Raf Wathion DOP 1 :: Patrick Otten DOP 2 :: Stephen Blackman Editor :: Martin Leroy High Speed BE :: BFC Rental - Fx Box Milo Motion Control :: BFC Rental - Fx Box SFX 1 :: Jean-Pierre Grandet SFX 2 :: Adrian Walton-Smith Post Prod :: The Mill Studio BE :: IzmoEurope

17. Lamborghini Energy Drink - Style Never Sleeps

Lamborghini Energy Drink - Style Never Sleeps

Director's cut Client // Tonino Lamborghini Agency // Cayenne Prod. Co. // Soho What Director, Editor // Francesco Calabrese DOP // Mauro Chiarello, Luca Esposito Compositing // Fabrizio Bonaga Color // [email protected] Music // Luca Masini

18. REEBOK | 25,915

REEBOK | 25,915

Directors Cut. Directed by Michael Lawrence DoP: Mathieu Plainfossé Editor: David Brodie @ RPS, LA Stylist: Alana Lawrence, Tara Valente Art Director: Gus Ward Colorist: Paul Takano @ A52, LA Line Producer: Anura Idupuganti Prod. Co.: Epoch Films, LA Exec. Producer: Melissa Culligan Agency: Venables Bell, SF Agency Producer: Joyce Chen

19. PROD 200 Film #2: re-frame (Fine Cut)

  • Published: 2017-03-22T03:50:40+00:00
  • Duration: 150
  • By Jacob Kelly
PROD 200 Film #2: re-frame (Fine Cut)

Film #2: A Goal. A 2-4 minute digital film. The concept for this film is that the protagonist has a goal they wish to achieve. No dialogue.